Jump to content
Ballet Talk for Dancers

Small schools that successfully train boys- how?

Recommended Posts


As we think about the fall, I have a question.  We just met this amazing older teen boy who went to a small school where he received all of his training.  His technique was outstanding, according to our school artistic staff.  He is the only older boy at his school, so I wondered how it must be for him.  I kick myself for not tracking down his parents and asking!   I also read about some prix de lausanne winners, or varna etc boy winners who came from tiny schools.

So my question is: how do small schools get successful with their boys when they have only 1 or 2 advanced boys?  What are they doing to make it work?  I would love to know.  Privates?  Going to another school some of the time?  Workshops??  Can a boy finish at a small school?  Ie be ready enough to go to an apprentice or trainee somewhere?

Thanks if you can share!

Share this post

Link to post

Well I can give you some answers on this but I hesitate to suggest that our DS has been 'successful'.  If being successful means he has moved onto a full time training position on full scholarship with a well known contemporary program, then I guess he fits. He has not gone down the road of Prix etc. 

He has done all of his training at small studios (from age 8 to 19). Each studio had only a handful of serious boys (different ages) and usually only 2 or 3 ever close to his age. I would say that the factors that kept him going and improving were these:

  • right from the beginning his studios were run by women who respected the maleness of the boys and managed to make them feel valued. He was never made to feel that his little boy behaviour was a problem (fidgeting, giggling, pushing the other boy). His little boy learning was acknowledged and supported by these women.
  • As he got older he was fortunate to have a few strong male teachers who kept DS and the other boys feeling worthy of coming to class and choosing dance as a viable career. He was never exposed to the feeling that a male dancer is essentially there to partner the girls. He felt that his training was an integral part of dance, different to the women and important. DS was taught how to behave as a partner and to appreciate that yes, his role is to make her look great en pointe and that matters.
  • DS always had good quality (small) men only classes where boy things were discussed and practiced. They were allowed to be competitive, to sweat and even curse for that hour each week. Seeing who could do the most pushups was the highlight of his week.
  • The next thing would be that he went to SIs with strong male teachers and programs so that he could soak up the mentoring and relationships. Being able to share dorms with boys and figure out that male dancers are masculine, play sport and train hard helped him find an identity in a strange girl dominated world.
  • He never had private lessons unless he was preparing a solo.

hope that helps!

Share this post

Link to post

He sounds pretty successful to me! thank you for sharing!  

Share this post

Link to post

My ds stayed at his home studio through junior year.  He was a bit behind his pre-pro peers by that point, especially in the area of men's training, but not hopelessly behind.  And he has caught up a lot in just one year at a well known residential program.  He was a late bloomer, anyway, because he is a bigger guy with more body to control.

I do believe that, if I had been able to customize his training a bit more locally, he could have finished high school at home and moved on to a traineeship from here.  But, I wasn't able to do that.  Even by attending two studios, he couldn't get the advanced men's training that he needed.

What worked at home?  At one of his two studios,  he had a fantastic men's teacher.  He had excellent partnering and performance opportunities at both studios.   He got into great summer programs and didn't get flack about going.  He had tuition scholarships at both studios.  He got excellent training in contemporary ballet as well as classical.  The teachers at both studios had danced professionally and provided a good technical foundation.

What didn't work?  We did a lot of driving to get the best teachers.  There were not enough training hours at the local studios, and the extra hours tended to be geared toward the girls (pointe, variations, etc.).  Men's classes were infrequent.  He was always needed for rehearsals, and class time was compromised.  Except for summers, he did not have the competition that often motivates guys.

But I can see a situation where the local studio would work for a dancer through high school.   With a few more hours of class per week and a bit more attention to male technique, with a men's teacher nearby, and with some motivation in the form of other boys or YAGP or master teachers, he might have stayed another year.

I think the key is to find a really good small studio.  They are out there. The teaching has to be excellent, the program has to be rigorous, and the dancers and teachers need to have their eye on the national field (and not just the local one). 

By the way, many young male dancers don't leave the home studio until their mid-teens anyway.  

Hope this helped.

Share this post

Link to post

Very helpful, thank you!  Good luck to your son!

Share this post

Link to post

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

  • Recently Browsing   0 members

    No registered users viewing this page.