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Ballet Talk for Dancers

pointing in pointe shoes


SwanQueen

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Hi! I have what people would consider "good feet". High arches and all that. My foot looks beautiful when I'm actually on pointe but I have a really hard time pointing my whole foot when there is no weight on it. Its really hard to point your TOES. Any help on this topic?

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Swan Queen, it IS hard to pointe all the way through the pointe shoe, especially for people with a long foot and high arch and instep! It takes time, a lot of work, and strength. Practice tendu and dégagé in your pointe shoes. That is why some barre exercises besides relevés are needed in pointe classes! :)

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  • 3 weeks later...
Guest christeng87

I have the same problem! Except I don't have "good feet", so I have always thought it was because of that. Part of it could be that your shoes aren't broken in, or maybe you just need to work on it more. Stretch your feet everyday, and unless your teacher is telling you to pointe your feet sometime, its probably okay! :-)

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Yes, that is good, Rachel. I use the term "shaping" all the time. Also working from sur le cou de pied.

 

(P.S. - Coupé is a step, not a position! I know, everyone calls that position coupé instead of cou de pied, but just thought I'd let you all know that it is really incorrect! It bugs me, because then when I want a coupé they do a position and I'm asking for an action! :( )

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Ah Rachel, that is so lovely to hear! Now I just wish some teachers would learn that too :(

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Sorry to post here as I am over 16, but I had a specific question for Ms. Leigh in response to this thread. Please delete if out of place. Since coupé is the action, what do you call the position if it is front or back? I always thought cou-de-pied was the wrapped position since it means "neck of the foot." We don't use the wrapped position as much at my school, so I was wondering what is "correct" in terminology for the front or back position. Would it just be cou-de-pied devant or derrière? Thanks for enlightening me! ;)

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Just my thoughts on this, Hjete, but I think that the neck of the foot just means the ankle, so, it makes sense to me to use the cou-de-pied devant and derrière terms :)

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Thanks! ...and then just plain "cou-de-pied" for wrapped? I guess this is more for interest in correctness than for actual classroom speech since teachers use so many variations in terminology that can still be right (i.e. different methods) and are understood by dancers.... like battement glissé, battement tendu jeté or dégagé... or "front" instead of "devant" all the time. Thanks for letting me post here, and I now shall return to where I belong! ;) P.S. I pulled out my Gail Grant Tech. Manual and Dictionary... and this, of course, clarified my question...should of looked there first...but the info was exactly what you said, Ms. Leigh...as usual!!! :) (The wrapped position is also considered devant in the Russian school.)

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Please could somebody describe the coupe movement for me? I have been told that is a cutting movement done with the feet, but that doesnt really tell me much. If it helps I am supposed to be using it in a link of movements in class: chasse, coupe, chasse, ton leve, chasse, coupe.....but I have forgotten how to do it!

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Jane, in a coupé one foot literally replaces the other, or "cuts" under it. Therefore, when you do a chassé, the foot you finish on is doing a coupé. Coupé is often performed using a cou-de-pied devant or derrière position, but not always. The free leg can also be in an open position or moving on into the next chassé or step. Chassé coupé, chassé temps levé would be a slide forward, cut under, slide forward, and sauté on one leg (temps levé). The last step could be in a cou-de-pied position or retiré back, or an arabesque, or attitude.

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