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Most difficult variation


What do you consider the most difficult variation in the female classical repertory?  

21 members have voted

  1. 1. What do you consider the most difficult variation in the female classical repertory?

    • Diana and Acteon
    • La Esmeralda (Tambourine)
    • Flames of Paris
    • Grand Pas Classique
    • Giselle 1st Act
    • Black Swan

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So... which is it? I personally go with La Esmeralda. The extension hitting the Tambourine with the music and not dropping the leg is so difficult! What do you all think? I am sure that there are others that are not on the list. Post from watching and personal experience. I am just interested in everyone's opinion. It is neat to see what one considers hard might be easy for another! Cheers!


Rachel :yes:

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Pas Classique, for the same reason, except it ends in pirouette en dehors.


I can't say that I'm very familiar with these variations though. The only one I ever performed was the La Esmeralda (Tambourine) in my high school talent show. It wasn't so hard for me (which is probably why we chose that one). I remembe having a lot of fun with it.

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I can't really add anything to the poll as I have never danced any of those variations. the ones I have danced are the Lilac fairy variation from the Prologue of The Sleeping Beauty and the Giselle peasant pas de deux. The Lilac fairy variation I found the hardest (it was only just over a minute!), mainly the diagonal piques into arabesque moving backwards followed by double pirouettes, you have to be so perfectly positioned; I guess that goes without saying. The double pirouettes from fifth also gave me a headache, why I found those so difficult some days and so simple another I'll never know? But I learnt them both en pointe and on demi. They were most enjoyable, I loved being the Lilac fairy :clapping: that is definitely me :)

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