hart Posted December 2, 2005 Report Share Posted December 2, 2005 As I have mentioned on another topic, I have been working on thinking upon that which is helpful and good rather than critical and discouraging in class. Over the last week my so-called mantra or meditation has been, "If nothing else, respect the music." This has helped to free me up from way too much self-consciousness and self-preoccupation. Perhaps focusing on the music is a little like focusing on your breath in yoga; it releases you to be in your body instead of so much in your head. Anyway, I'm not trying to get too philosophical. I just wondered if anyone else has a mantra or meditation they focus on in class to help keep them centered. Quote Link to comment
SingerWhoMoves Posted December 2, 2005 Report Share Posted December 2, 2005 When I'm having a notsogood day in class I try very hard to focus on the music. I think that's why I love to dance anyway- the marriage of the movement and the music. Even if I have a terrible day balancing or turning or whatever, I feel like if there was at least one moment where I felt the music within my body, then it was a worthy class. Quote Link to comment
roottwo Posted December 2, 2005 Report Share Posted December 2, 2005 Well, it doesn't necessarily do much to keep me centered, but "just keep on trying" seems to be a common one for me. It often comes out when I am frustrated with not getting a combination and feel like a fool in the center, or I come down off my box prematurely for the umpteenth time in pointe. Quote Link to comment
Redbookish Posted December 2, 2005 Report Share Posted December 2, 2005 There's always Samuel Beckett: "Fail again. Fail better." But seriously, that's sort of what I tell myself, and I also try consciously to think breathe out. Quote Link to comment
jayo Posted December 2, 2005 Report Share Posted December 2, 2005 My favorite is "Oh well, what the hell". Perfect for right after messing something up, perfect right before trying something hard. It helps loosen me up and get me ready to fling myself into a combination no holds barred, then helps me get over the resulting mess. jayo Quote Link to comment
Guest milky Posted December 2, 2005 Report Share Posted December 2, 2005 Well, to stay centered (literally, in balances), I speak to myself very sternly. Sort of like, "you *will* stay up, missy!" I think something about pretending to be a strict disciplinarian gets me to hold myself more upright. To make myself go running, though, I just repeat over and over, "You don't have to go very far, you don't have to go very fast, you only have to go." That might be a more calming kind of thought for ballet. Quote Link to comment
Jaana Heino Posted December 2, 2005 Report Share Posted December 2, 2005 I've actually started using the "if it is worth doing, it is worth doing badly" I learned here a couple of days ago. Me not being able to do something does not make it not worth trying! Quote Link to comment
Blanche Posted December 3, 2005 Report Share Posted December 3, 2005 This may sound overly simple, but "breathe" (and then actually doing it) usually works for me. Quote Link to comment
Guest sally-mandy Posted December 3, 2005 Report Share Posted December 3, 2005 The one that's been working for me is, "at the very least, this is good exercise even if I do it wrong." Quote Link to comment
cassy Posted December 3, 2005 Report Share Posted December 3, 2005 I usually forget to breathe!! Whenever our teacher reminds us i think oh yeah i was holding my breath in an effort to stay still - not that it helps much anyway i think its just a result of deep concentration If im worried about certain steps or combinations, i throw myself into it and concentrate on the music, it helps me relax and not worry too much about making mistakes. I find it helpful to imagine there is no one else there - just me and the music Quote Link to comment
Guest dancer'sheart Posted December 3, 2005 Report Share Posted December 3, 2005 I find it helpful to imagine there is no one else there - just me and the music <{POST_SNAPBACK}> cassy, I have to agree with you. I'm in my own little world when I dance...except of course when doing a pas de deux because you have to be conscious of your partner Quote Link to comment
latindancerguy Posted December 4, 2005 Report Share Posted December 4, 2005 When I start feeling self-conscious and "stared at," I start to project the command, "Watch -this- dance, to -this- music." This keeps me Performing, Musically, in the specific Moment, but leaves no room for "I must look stupid," or whatever other random thought is crowding my head. Another favorite, "Just dance it. Whatever it is, just dance it." This is good for incorporating emotions into your dance where they can actually be made to do work, instead of just floating around. And what someone else said, "Dance what you already know." Quote Link to comment
Garyecht Posted December 4, 2005 Report Share Posted December 4, 2005 Actually, my best strategy has been learning to turn my mind off during class. That has come with time. Yea, occasionally I’ll have a bad class, but I know those sometimes happen, so don’t get worked up at all any more. I take a Spanish Dance class where I am the absolute worst person in the class when it comes to doing heelwork (everyone has to solo so you easily know where you stand). A goof-up on my part is almost guaranteed. My attitude about it is that I know exactly what to practice during the week. Don't have to think up a practice routine. Quote Link to comment
cassy Posted December 4, 2005 Report Share Posted December 4, 2005 dancer's heart I guess you are right - what will i do when it comes to pas de deux! Well i will have to think of something else for those occaisions Quote Link to comment
olddude Posted December 5, 2005 Report Share Posted December 5, 2005 I find it helpful to imagine there is no one else there - just me and the music <{POST_SNAPBACK}> I have to agree with you. I'm in my own little world when I dance... <{POST_SNAPBACK}> Oh, me too. I'm more of a beginner than either of you, but it's something I really like about ballet. The more difficult it is (it's ALWAYS difficult) the more I retreat inside my own head; often I'll just close my eyes to better concentrate on the body mechanics. I've tried a few times to take a ballroom or other "normal" dance class, but interacting with other people absorbs too much of my limited ability to concentrate, and I totally lose focus on the physical motion. With ballet, I can go inside and pay full attention to the movement; other people just ceast to exist until the music stops. I learn a lot faster this way, and there's no room to worry what anyone else sees or thinks - until, of course, the music stops... Not really a "mantra" I guess, but certainly a coping strategy! Quote Link to comment
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