Agnes1022 Posted November 14, 2007 Report Share Posted November 14, 2007 When I do a glissade, the gliding foot's heel leaves the floor. Then both feet meet together in 5th. The effect though looks more like a low-height jump than a smooth gliding motion. What is the correct sequence and correct positions (leg, arms, head) when doing a glissade? Quote Link to comment
Mel Johnson Posted November 14, 2007 Report Share Posted November 14, 2007 Plain-vanilla, it's just from a demi-plié in fifth, tendu the gesture foot to the side, go through a very momentary second position sur les pointes even if you aren't wearing pointe shoes, then close in fifth demi-plié. Quote Link to comment
Administrators Victoria Leigh Posted November 14, 2007 Administrators Report Share Posted November 14, 2007 I have always taught it with a dégagé, although a very slight one, like barely off the floor, and going up and over through the leading foot as the other foot leaves the floor and then slides into the plié fifth. Quote Link to comment
Doubleturn Posted November 14, 2007 Report Share Posted November 14, 2007 It depends how fast the enchainment is. If it is slow and smooth, then glissade is a terre à terre movement and the toes do not leave the floor. If it is part of an allegro, then yes the toes may leave the floor a little. Quote Link to comment
Redbookish Posted November 14, 2007 Report Share Posted November 14, 2007 Agnes, although we can't post there, as we're not teachers, I'm finding the thread about Glissade Technique in the Teachers forum really informative reading. That might hellp. You could also look at the demonstration of the glissade in the ABT's on-line ballet dictionary. As for the correct position of arms & head, I think (and I hope the Teacher Moderators will correct me if I'm wrong ) that arms and head can be set in a number of ways; basically, as the teacher/choreographer sets them for any particular enchainement. Quote Link to comment
Agnes1022 Posted November 14, 2007 Author Report Share Posted November 14, 2007 Thanks everyone. On the subject of arms and head, what are the basic start-to-end positions when executing a grand jete entournant entrelacé? In class, we do the tour jeté by itself across the floor. Quote Link to comment
Administrators Victoria Leigh Posted November 15, 2007 Administrators Report Share Posted November 15, 2007 Agnes, the arms in grand jeté entournant entrelacé go from 5th en bas up to 5th en haut, and then, as you land they go to whatever arabesque position the teacher selects. Quote Link to comment
Agnes1022 Posted November 15, 2007 Author Report Share Posted November 15, 2007 5th en bas/en haut are not terms we use in my Russian style class. Is 5th en haut the equivalent of the Russian 3rd position, and what would be the equiv of 5th en bas? Maybe you can describe where each arm is positioned in the 5th en bas? Quote Link to comment
Administrators Victoria Leigh Posted November 15, 2007 Administrators Report Share Posted November 15, 2007 5th en haut is the same as Russian 3rd. 5th en bas is like bras bas, or preparatory position. It's the same position of the arms as 1st and 3rd but at the lowest level. Quote Link to comment
Agnes1022 Posted November 15, 2007 Author Report Share Posted November 15, 2007 5th en haut is the same as Russian 3rd. 5th en bas is like bras bas, or preparatory position. It's the same position of the arms as 1st and 3rd but at the lowest level. Thank you. Quote Link to comment
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