Farrell Fan Posted November 23, 2002 Report Share Posted November 23, 2002 From the NY Times, November 24, 2002: "After 16 years as a principal dancer with the New York City Ballet, and a dancer with American Ballet Theatre for nine years before that, Robert La Fosse is retiring. This event is something of a milestone for the New York dance community. Mr. La Fosse has performed here with, and for, most of the great ballet names for a quarter century, and he was one of the last of a handful of dancers still onstage who were central figures in the dance boom of the 70's and early 80's." True enough, but Robert La Fosse wrote his autobiography, "Nothing to Hide," fifteen years ago. Perhaps nothing was hidden, but much lay necessarily unrevealed. Similarly, Peter Martins' "Far from Denmark," was published in 1982, when Balanchine was still alive and Peter was still dancing. Although he'd already choreographed several ballets, his elevation to NYCB Ballet Master in Chief was far from reality. The state of ballet and publishing being what they are, I can't imagine any great clamor to bring out updated versions of these books and others like them, let alone sequels. So a lot of first-person dance history will probably go unrecorded. Quote Link to comment
Alexandra Posted November 23, 2002 Report Share Posted November 23, 2002 The state of publishing being what it is, I think the only biographies or autobiographies we're likely to see are premature ones -- and they'll be getting younger. It's obviously easier to sell a book when the dancer is at the height of his or her career, and that's often when they're so young that there's not much to write about. One of the many things that's missing these days are little fan books -- anyone remember those? They'd be short, 24 pages, maybe more, mostly photos, a few facts about personal life, training, how they got into the company, that kind of thing. But I think there isn't even a market for that now. It's partly that the Boom is over, but partly that publishing houses are now owned by megaconglomerates and the idea of selling 1,000 or even 5,000 or 10,000 of anything is not what they think of as having a good time. Martins may well have another biography done -- he should, I think; he's directed a major company for nearly 20 years. But it's harder to write a post-performance biography of someone whose career ended with his or her last performance. Quote Link to comment
dirac Posted November 25, 2002 Report Share Posted November 25, 2002 Those were great little books, if we're thinking about the same ones. Some years ago I got rid of several of them in a fit of housecleaning fervor, and I've regretted it ever since. I still have a few, including Alan Kriegsman's book on Suzanne Farrell, written just after she returned to NYCB. Excellent text, and photos I haven't seen elsewhere, and a volume on Verdy with text by Haggin, I think. Quote Link to comment
Guest atm711 Posted November 29, 2002 Report Share Posted November 29, 2002 I have one of those short bios which no amount of housecleaning has made me discard. It's only 20 pages and was written by C.W. Beaumont on Fonteyn and published in 1948. The photos are particularly interesting---all taken before her 'nose' job--much more dynamic face which emphasized her Brazillian roots. Quote Link to comment
Mel Johnson Posted November 29, 2002 Report Share Posted November 29, 2002 Premature autobiographies, OK: My Life in Ballet Macaulay Culkin Quote Link to comment
Alexandra Posted November 29, 2002 Report Share Posted November 29, 2002 How about anybody under 35? A new rule. Quote Link to comment
dirac Posted December 2, 2002 Report Share Posted December 2, 2002 A good idea, but Kenneth Branagh beat everyone to it – he composed a biography, "Beginning" when he was well under 30 –27, I think. Quote Link to comment
Alexandra Posted December 2, 2002 Report Share Posted December 2, 2002 There have been LOTS of early bios, including LaFosse's (as noted earlier in the thread) and Nureyev's, which was done when he was about 25. (Although according to John Percival, he tried to get out of it when he finally got a job.) That's why I want a Rule. Picture books before 35, word books after Quote Link to comment
Guest grace Posted December 6, 2002 Report Share Posted December 6, 2002 "Perhaps nothing was hidden, but much lay necessarily unrevealed. " (Farrell Fan) i read this (past tense) as 'Perhaps nothing was hidden, but much lay UNnecessarily REVEALED.' ;) thought you might find that funny...as i did. (yes, i HAVE read the book.) Quote Link to comment
Farrell Fan Posted December 6, 2002 Author Report Share Posted December 6, 2002 That's good, Grace. Thanks. Quote Link to comment
Guest grace Posted December 6, 2002 Report Share Posted December 6, 2002 you're quick on the draw today, farrell fan! nice to 'meet' you. Quote Link to comment
Ed McPherson Posted December 6, 2002 Report Share Posted December 6, 2002 C.W. Beaumont's books are great! We have, I believe 3 of them, at our school library, I was shocked to find when I checked one out that it had been on the shelf for more than 20 years!!! It says something about how illiterate young dancers can be even to their own art form. So I understand why the stopped publishing them, but I do agree they are great! Quote Link to comment
Hans Posted December 9, 2002 Report Share Posted December 9, 2002 Nobody's mentioned Darci Kistler's little paperback autobiography, which came out something like 5-10 years ago. Quote Link to comment
Farrell Fan Posted December 9, 2002 Author Report Share Posted December 9, 2002 I managed to miss Darci's autobiography. Wonder if any copies survive? Quote Link to comment
Ray Posted December 9, 2002 Report Share Posted December 9, 2002 A sadly significant exception to the under-35 rule is Diane Solway's excellent biog. of the late Eddie Stierle, Dance Against Time. It's not an autobiography but certainly premature. R Quote Link to comment
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